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Wednesday, December 17, 2003
Jonah Goldberg :: Townhall.com Columnist
Imagine Iraq War through movie lens
by Jonah Goldberg
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The capture of Saddam Hussein raises a troubling question for Howard Dean and other critics of the war: What if this were a movie?

Let me back up for a minute. You see, I have an odd habit. OK, I have many odd habits, but that's not important right now. The relevant one is that sometimes, during major international events, I ask myself, "What if this were a movie?"

The reason I ask this question is threefold. First, I'm an incurable movie buff. Second, I find this to be a useful means of reducing the basic morality of a situation to a simple narrative. And, last, I think many people, including the majority of Americans, do the same thing.

For example, World War II was a hugely complex world-historical event with layers upon layers of interconnected subtlety, nuance and intrigue. But, at the end of the day, most people rightly see it as the familiar Hollywood story: Good guys joining up to stop bad guys.

The events leading up to Pearl Harbor may have been far more complex than a mere sneak attack, and it may be true that stopping the Holocaust was a motive discovered after the fact, but when it comes time to make the movie, that stuff ends up on the cutting room floor.

Conversely, some events don't make for good movie plots. World War I, a metaphysically stupid and disastrous event, is just too complicated and, more important, too morally ambiguous to make for a good plot.

It's true: Some events make America look bad. Bill Clinton, for example, understood this when he lied about not knowing about the genocide in Rwanda. What kind of movie would it make if a million men, women and children were being slaughtered with machetes while the U.S. cavalry stood by and did nothing? Clinton saw that the only defense in the eyes of history was that we didn't know it was happening.

Now, I should offer the caveat that this is not always the greatest way to look at the world. Policy shouldn't always be set by Walter Mittys who see the whole world as a movie set. But, it is a useful means of sifting out essential moral elements.

Ronald Reagan was notorious for doing this very thing, and whatever faults you may have with his foreign policy notwithstanding, his penchant for dividing the world between "freedom fighters" and tyrants worked out very well for him and for humanity.

One irony is that prior to Ronald Reagan, conservatives were usually denounced for not seeing the world through such a moralizing lens. Richard Nixon's and Henry Kissinger's realpolitik disgusted liberals (and many Reaganites) for its complete lack of sentiment and morality. A second irony is that today liberals are donning the green eyeshades as they bean-count costs and benefits in the face of staggering moral truths. Continued...

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About The Author
Jonah Goldberg is editor-at-large of National Review Online.
 
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